“So many influences, so little time.” —Melinda Buckwalter This is a series of dances with Hazel Bee Humphrey and me. Emergent and evolving, techniques seem to include the kinds of timing, touch, and togetherness we’ve learned from LIVE practice, contact improvisation, and dramas, both everyday ones and those that drive the epic performances of our

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Entering Now (2007) was my thesis concert at the University of Utah. It was a shared evening with Shannon Mockli. A few ideas I was working with at the time: Scores and set material within the same work to learn more about how ways of being in performance changed as dancers shifted between the minds

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